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The growth of a music conducting professional : Paducah’s Logan J. Blackman

Marian Vasilescu 0

The upsurge of a music conducting professional : Paducah’s Logan Blackman: I have to say, I was not expecting that answer! I love it! What do you want your listeners to get out of your music? Logan J. Blackman : Music is one of the ultimate ways of expressing something you can’t quite put in words, or illustrate easily. My symphonic work, Prayer of a Broken Heart, is a great example of that. At 15, I tragically lost my parents due to a motorcycle accident. That piece is about the grief I went through, those experiences, and ultimately my hope that I will one day see them again.My hope is that listeners who might be struggling with something similar get some kind of comfort knowing they aren’t the only ones to feel what they may be feeling. Read even more details on Logan Blackman.

John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.

The introspective and ceremonial musical elements introduced in the first two movements of the Meditations culminated in the third and Karp unified them with great strength. His skillful phrasing, subtle dynamics and bold accents were spellbinding. Rhythmic drums paved the way for Karp’s solo ruminations and when the gong sounded, the strings followed his lead into a shamanistic fury of dance, highly spiritual and celebratory. Then Karp imposed a cathartic sense of calm with a wistful melody before he engaged us with amazingly intricate bowing like an oracle intermittently disseminating words of wisdom. The drum and the harp accompanied the fading tones of his good counsel and left me in reverie, wanting to hear more.

The critically acclaimed University of Kentucky Symphony Orchestra, conducted by Maestro John Nardolillo, will perform next with concerto competition winner, Michael Robinson, a junior at UK School of Music. The concert will include music by celebrated composers Carl Nielson and Gustav Mahler, as well as a premiere of work by UK junior Logan Blackman. The concert will begin 7:30 p.m. Friday, Feb. 17, at the Singletary Center for the Arts. See extra information on Logan Blackman.

Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.”