Awesome contemporary poetry from Jean Arno? Jean Arno is an influential artist from the artistic group, Astrée. Primarily known for his poetry and philosophical aphorisms, he defends the idea that man is, in essence, a creator. Shaping ‘the inextinguishable fire of life’ thus makes up the sacred mission of man, as a poet. He stands alongside those who continually battle against the invasive and deadly forces of contempt for the world and for life, and alongside those who put their creative forces to the service of the highest affirmation of life, those who believe that ‘the impossible can only ever occur by attempting it’. Read additional info at https://nyweekly.com/entertainment/trophies-by-jean-arno-chaosism-and-cryptic-poetry/?utm_source=rss&utm_medium=rss&utm_campaign=trophies-by-jean-arno-chaosism-and-cryptic-poetry.
The evocative and poetic force of a work is diminished as soon as it does not help you see the invisible and plural strata of which the world is shaped—as soon as it does not propose an enriched vision of it. But the work could not be fully realized without the reader’s active participation: “It is that the highest truths are not given; they are conquered. Their gleams dazzle those whom they do not illuminate”. Trophies is an exceptional work: a must read.
The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.
What forms will the arts take in the digital universes now commonly called the Metaverse? NFTs (non-fungible token) artwork, protected by unique numbers, is now unequivocally the future of the arts. For example, suppose the punk-geek universe dominated the NFT art market in the 90s and 2000s with its video game, comics, manga heroes, heroic fantasy, and science fiction. In that case, it is now competing with artists who produce the new art of the 21st century. Such art includes satirism like Bansky’s iconic street art, with its strong criticism of capitalism and mass public manipulation at the hands of politicians and the media.
Artistic practices such as painting and music and my studies in literature and philosophy have undoubtedly had a major influence on my way of looking at the world and on my style. The rest of my life has been a succession of trips around the world to places like New Caledonia, Bulgaria, the USA, and England. I’ve had interesting encounters with pictorial and literary creations at the great universities of Oxford, Stanford, and Harvard, and also in the influential artistic circles of San Francisco, London, and New York. This diversity has fostered in me a more nuanced mind and more assertive values. Find extra details at Jean Arno artist.
The game is worth the candle: new fragments appear when one manages to elucidate the mystery: “Every soul that darkness stirs up digs the world with such a stubbornness that chasms blossom with stars of unknown splendor.” When it is not the pleasure of the “game” or the Orphic enigma which carries away the heart of the reader, it is the philosophical accuracy of the subject (“In our reasons murmur/Mysteriously/the eloquent speeches/of our obscure passions”) and the symbolic and Parnassian beauty of the tamed verse: “In her eyes of sapphire / Full of light and clarity / Desires lose themselves / In avid immensity).” When one loves great literature and philosophy, one can only be conquered by this monument of splendor.
