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A lot can happen in one session, and after a week (or two or three, depending on how busy players’ lives are) has passed in real time, it might be hard to remember everything that transpired the session before. So make notes of important plot points, especially ones that were relevant to one’s own character, to avoid feeling lost once everyone rejoins to play again. The character sheet has plenty of space for note-taking – and if it runs out of room, feel free to attach more paper.
This is a simple one. You as the GM of the game do not have to be completely in charge of everything that happens in the world. RPGs are, for the most part, designed to be played as a group. And sometimes the rest of that group should be given the reins from time to time. One of your strongest tools in the RPG toolbox is literally just asking your players questions. What do you find? How do they respond? What does it feel like? They can be little flourishes of player control or massive plot-defining moments handed over with love and trust to the player who it means the most to. This isn’t unprecedented, by the way. You’ll often see things like this in modern RPGs. In Blades in the Dark, your players create the quests and some of the NPCs – they invent the magical items, choose their adversaries and define the stakes at hand. It’s a pretty common thing for D&D dungeon masters to ask the player to describe what happens when they critically hit an enemy, giving them a cool flourish after a big chunk of damage.
Keep in mind the difficulty check, known as the DC, on rolls. This is especially important for the Dungeon Master. The DC is the number that needs to be met or exceeded to succeed whatever is being attempted. Easy actions, opening an unlocked door, for instance, have a low number usually 0-10. Medium actions a medium number 10-15, and hard actions a high number 15-20. When planning your challenges, keep those in mind. Speaking of success and failure, don’t be afraid to lean into any negative characteristics your character may possess. Whether it’s from a poor attribute (low Dexterity, Strength, for example) or because you just wanted a character that is a kleptomaniac, flaws are what create depth. They are also often what a player loves most about playing. My own character, Althea, is an optimistic Druid with horrible Charisma. She is stubborn and tries to take every problem on herself. She can’t communicate with others well, so she just doesn’t.
Let’s not bury the lede here: learning rules can be confusing and a pain in the arse. You might get lucky with a rules-light system but some of the most popular games out there require you to understand a lot of complex systems, dice-rolling mechanics and probabilities, and all sorts of other nonsense. This can be especially tricky if you’re still wrapping your head around roleplaying in general as a new player. Case in point, many of you will be reading this because you’re looking for advice on how to play D&D. Despite its place as a common RPG starting point, D&D is not actually a particularly good game for beginners. It’s pretty dense and there’s a lot of information to grasp when you’re getting started.
Not sure what a spell’s description means? Can’t remember what AC or DC stands for? Don’t know what it means to be behind cover? Ask! Pausing the game’s action for a few seconds is worth it to help make sure everyone is on the same page and having a good time. More often than not, DM’s and other players will be glad to answer questions for friends who are learning the game. And if they aren’t…well, refer to the first point. They might not be the best people to play with, especially for a first campaign. Read more details at https://dnds.store/.
